His cello works, particularly his Cello Sonata in D minor, reflect his despair and anguish during World War I. ‘The opening movement, begun in 1913, starts with a soaring cello line and continues with rolling periods of lyrical flights and accompaniment which adds richness and tension to the music's progress,’ writes Jane Erb in her contribution to the Classical Net website.
‘The contrasting second movement, first
conceived as a slow movement followed by an independent finale, was compressed
into an arch-shaped structure, incorporating a thematically derived scherzetto
with the addition of an extended coda which refers to the
work's opening. The
entire sonata, with the chromaticism of the slow section and the aggressive
tonal and bi-tonal colors in the scherzo, hints at his later style. At
the American premiere in 1923 the audience (including Artur Rubinstein and Hans
Kindler) was captivated by the lyrical beauty of the work, a favorite of its
composer which has remained the most widely performed of his duet pieces.’
No comments:
Post a Comment